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Working to budget – page 1

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With money becoming ever tighter, one of the main challenges any director or designer faces is how to bring a show in on budget and yet still have a big success. Fortunately, I started my theatrical career in the British repertory system where I had a great training in this area, creating a new show every two weeks with a few pounds.

The budget is always my friend, and after thirty-plus years of designing, I have yet to go over limit. I have occasionally been asked to produce an entirely new production for the cost of the rental of an existing show. My Anna Bolena for Joan Sutherland, which turned out be her final new production at the Royal Opera House, Covent Garden, was a case in point. (After her death in 2010, one of the costumes I designed for her was featured in an exhibition at Covent Garden – see this Opera Fresh article). I created the production on a mini budget while endeavouring to create a lush, nineteenth-century view of the famous storyline that would present Dame Joan at her best.

Budget 2
Joan Sutherland as Anna and Dimitri Kavrakos as Enrico in the 1998 Royal Opera House production of Anna Bolena (photo: Clive Barda).

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